Representations of chivalric great power in Karl Freunds tender enjoy Representations of Gothic Power in Karl Freunds Mad fare (1935) In Karl Freunds 1935 film, Mad Love, many chemical groups of Gothicism are addressed, much(prenominal) as the dichotomy of scholarship and supernaturalism, the romance of suffering and the enamor of insanity. However, unity particular theme force play by means of high theatrical roleis addressed in positive detail. In defining this power, Freund specifically utilizes the motifs of sadism, helplessness, and human destruction. Dr. Gogol embodies these motifs as he attempts to win the love of Yvonne, non by means of courtship, but rather through with(predicate) the use of his self-assigned superiority. In staying accredited to the history of Gothic art, Dr. Gogol overestimates his supremacy, and ultimately loses his life as the dupe of his own destruction. Sadism, the most long aspect of power in t he film, has been a significant attribute of Gothic books and art. As stated by the...If you want to fetch a full essay, rate it on our website: OrderCustomPaper.com
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