Hybridity and National Identity in Postcolonial Literature Essay

Hybridity and National Identity in Postcompound Literature Every human being, in addition to having their own person-to-person individualism, has a sense of who they argon in relation to the larger community--the nation. Postcolonial studies is the try to strip away conventional perspective and examine what that field of study identity might be for a postcolonial subject. To read literary productions from the perspective of postcolonial studies is to adjudicate out--to listen for, that indigenous, representative voice which can inform the world of the centerfield of existence as a colonial subject, or as a postcolonial citizen. Postcolonial fountains use their literature and poetry to solidify, through criticism and celebration, an emerging content identity, which they have taken on the responsibility of representing. Surely, the reevaluation of matter identity is an ultimate and essential result of a country gaining independence from a colonial power, or a country emergi ng from a fledgling settler colony. However, to claim to be representative of that entire identity is a enormous undertaking for an author trying to convey a postcolonial message. Each nation, province, island, state, likeness and individual is its own unique amalgamation of history, culture, language and tradition. Only by understanding and embracing the idea of cultural hybridity when attempting to explore the concept of national identity can any one individual, or nation, truly believe to understand or communicate the lasting effects of the colonial process. Postcolonialism is the repeated shedding of the old skin of Western thought and discourse and the offspring of new self-awareness, critique, and celebration. With this self-awareness comes self-expression. But how should the i... ...nial institution--one voice which would articulate their own sense of national identity. But exploration of these societies, and the literature produced by postcolonial authors and poets il lustrates that there is a regular(prenominal) infinite number of differing circumstances inherent in each postcolonial society, and, consequently, in each piece of literature produced by postcolonial writers. If one is to read this literature in a way which will shed some sprightly on the postcolonial condition, one must understand and adopt the theory that we are all walking amalgamations of our own unique cultures and traditions. We are all perpetually struggling with our own identities, personal and national. We must understand that there is no one true voice representing an easily identifiable postcolonial condition, but, instead, each author is his or her own voice and must be read as such.